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Ask the Experts: Maceo Plex , real name Eric Estornel, started his journey in And then things changed. I find the most inspiration at home watching a sci-fi movie late at night.
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Ask the Experts: Maceo Plex , real name Eric Estornel, started his journey in And then things changed. I find the most inspiration at home watching a sci-fi movie late at night.

Do your tracks always remind you of the same things or do they change their meaning to you with time? I associate a feeling with my tracks, or perhaps a color. Yeah, sometimes I feel it would be nice to spend a few months where nobody can get ahold of me, and a place where there is no dance music scene. I feel like the scene itself can diminish creativity or hold us all back from moving forward.

Not every track should be released. By releasing everything, you make yourself look more like an artisan instead of an artist. You have always been very secretive when it comes to your productions and methods. Do you think this is an advantage? I feel like talking about production too much takes away from the art of it.

Do you always send your tracks out to get mastered or have you got to a stage where you master your own tracks yourself? So, yes I usually send out to be mastered. I just sign what I think is cool passed to me by my friends. I think a new artist should first concentrate on doing something truly original and not emulating someone else, and then see where that music fits instead of looking for the newest hottest label.

Or you could do what half the scene does and hire a ghost producer, and spend a fortune on marketing. A true Plex follower for many years and producing my own bits and bobs along the way, I want to ask which methods Maceo uses to create the kicks heard in all his tracks.

I would love some pointers from the master himself on getting those powerful kicks just right. What audio effects if any are dropped on to the kick track, compression, reverb, chorus, EQ etc. Any tips and advice in this area for me would be greatly appreciated.

My kicks are sometimes designed from scratch and sometimes samples. I use very little compression and EQ and mostly make sure the track around it is mixed correctly. What do you like more, not thinking of making an income: Producing music since everyone is a DJ these days!

Do you feel that as you have grown in popularity over the last few years you have felt the need to play a bit more commercial in your DJ sets? Hi, Eric! I have a curious question: Editing envelopes, using groove pools or sampling and modifying the warping? First, I delay the kick a bit off from being perfectly on time with the rest of the track—maybe a millisecond or two off.

And I always connect the kick drums. I hate space between kick drums. Fill in the gap between kick drums with either a baseline, bass rumble, or long decay. How do you mix your low end to get that separation and fatness for everything? Mixing is everything. Mastering is only five percent, at most. I have no idea which chord I am playing. Any advanced tips on how to manage your low end? Besides monitoring and acoustic treatment.

I think every producer wants to know, how do you get such a loud clean sound? Do you mix down everything in the box or do you recommend outboard gear? For your curated showcase at BPM Festival last year, you selected an amazing group of artists and deejays and it made for a truly singular and standout event, against the backdrop of a largely, and firmly, tech-house festival. The eclecticism was not unnoticed. In what ways do these artists inspire you and inform you? With Mosaic, I literally just want to book artists that make me a better artist.

Artists that inspire me. Sometimes we book bigger names that sell more tickets but I always try to combine them with lesser-known names that are innovative and pushing the envelope.

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Hi guys, I’m trying to nail this sound but I haven’t got a clue. The question is, can it be made with a synth? It’s the guitar like sound which is. Lately I found Maceo Plex instagram’s page and found few interesting pictures of his studio. Being a great fan of his sound, I always wondered. Check out Maceo Plex’s gear and equipment including the Ableton Live 9, Pioneer RMX Remix Station, and Roland Boutique Series Synthesizers.

Maceo Plex

In The Studio: Great insight into how he gets the warmth in his tracks… belongs to Eric Estornel, better known as Maetrik and, especially, Maceo Plex. Having just launched his own label Ellum Audio, Estornel looks set to go even further in

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Lately I found Maceo Plex instagram’s page and found few interesting pictures of his studio. Being a great fan of his sound, I always wondered. I found this interview on beatport news with Maceo Plex. Great insight into how Gives them a warmth that’s hard to get out of any VST plugin. New year, new concept: Maceo Plex locks down with a Fabriclive mix and his new ‘Mutant’ series that sets out to explore the more.

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