ToonTrack Superior Drummer v2 torrent – Teppich Experte
I’m not implying that the guy was going to use pirated software, but that just seems like a bassackwards way to decide whether to buy something or not. What if he wanted to try a new Les Paul, is he going to steal one from a music store, play it for a couple of months or so before he decides whether he likes it or not? Well that is the way I feel about it as well. I sure the hell would not let someone in my home, that has admitted to ‘borrowing’ stolen stuff. I will not help them in this forum either.
Toontrack – EZdrummer 2.1.3, 2.1.4, Superior Drummer 2.4.4 (VSTi, AAX, RTAS, EXE) [Win x86 x64]
Will the drums and cymbals of their new Superior Drummer 2. Toontrack’s Superior Drummer 2. However, it is probably true to say that some potential users were put off by what was perceived as a somewhat complex user interface.
To their credit, Toontrack responded with EZ Drummer, based upon a narrower range of drum sounds than DFH Superior but with a much more user—friendly interface.
With SD 2. Bundle Of Fun SD 2. While SD 2. EZ Player Pro doesn’t include a MIDI editor — this still has to be undertaken within your host sequencer — but many users may prefer to do this sort of editing in a familiar environment rather than having to learn a new set of tools anyway.
Via some clever compression technology, Toontrack have managed to get 60GB of detailed drum sampling into 20GB of hard drive space.
Installation does take a little time, but both that and the challenge-and-response authorisation process proved otherwise painless on my test PC. I tested the VST version within Cubase 4.
All the documentation is supplied in PDF format. Shiny New Kit SD 2. For existing DFH Superior users, a ‘classic’ view is also provided, where each drum item is represented as a drum pad.
The right—hand side of the Construct window allows the Envelope, Pitch and Humanise settings to be adjusted for the currently selected highlighted in blue kit piece, while the topmost box allows X—drums you guessed it, extra drums to be added to the kit. If you own other Toontrack drum libraries, such as the Latin Percussion library, X—drums can be used to build a full percussion section around the basic drum kit. Along the base of the main window are five ever—present control sections.
The other three sections all refer to the currently selected kit piece, and particularly useful are the EZ Mixer controls, which mean that the full Mixer window doesn’t have to be opened just to make a quick level adjustment to one element of the kit. Perhaps the most significant development in the GUI is the Mixer window. This features separate channels for each virtual microphone, and, as there are multiple mic positions for the kick and snare as well as the overheads and ambient mics, this gives a very detailed level of control over how the kit sounds.
Mixing the sampled drums of SD 2. Each channel features slots for insert effects, although you are limited to the selection of EQ five—band , Gate, Compressor, Transient and high— and low—pass Filter supplied with SD 2. That said, these all sounded very good to my ears. As well as a standard master output, SD 2. Clicking on the Output button towards the bottom of each channel strip allows a mic to be routed to a particular output pair or to one of the 16 buses.
The Bus Send Bleed and Bleed Control knobs allow the user to specify the degree of microphone bleed from each kit piece into other microphones. Clicking on the Edit button under a channel’s Bleed Control knob allows the amount of bleed to be specified on a drum—by—drum basis.
I suspect that this degree of control may be over the top for the needs of most users, but if you do want ultimate control for an ultra—realistic sound, SD 2. Toontrack supply an excellent collection of MIDI loops in a variety of styles and time signatures, and users can specify the paths to any other MIDI loop libraries they may have installed on their hard drive.
The EZ Player Pro window is divided into two areas: In between these two is a strip of controls that include a playback option for auditioning the currently selected MIDI loop within the Browser. While many users might prefer to do their loop arranging in their DAW, the Arrange window does offer some interesting possibilities.
For example, each track can have multiple Layers, and a different loop can be placed in each Layer, with options to play all layers, cycle through them or select one at random with each playback pass. As the MIDI output from EZ Player Pro can be recorded into your DAW, there are also some excellent creative possibilities to be had by offsetting the loops within different tracks to create new performances. This would work particularly well with tracks containing percussive parts.
Hit It! Given the DFH Superior pedigree, it should come as no surprise that the sophisticated functionality provided by the combination of SD 2. When you consider that there are approximately , individual samples in the library and that these are spread across a relatively small number of individual drums and cymbals, the word ‘detailed’ probably doesn’t do the sampling strategy justice. The library includes three kicks, seven snares, three hi—hats, five toms, six cymbal setups, four rides and a cowbell.
In almost all cases, multiple articulations are included for example, seven different types of snare hits as well as a variety of sticks, brushes and mallets.
Compared with the slightly more expensive BFD2, there is probably not quite as much variety in the SD 2. That said, what is included here sounds absolutely great. Given the control over individual microphones, the ability to pitch—shift the individual kit pieces and to adjust their transients, it is possible to conjure a huge range of acoustic drum sounds from SD 2.
I’m not sure I’d find myself delving into the various bleed options too often, but the ability to blend the close mics’ bleed with that of the overheads and room mics allows you to add as much or as little ambience as required. The Bounce dialogue provides plenty of options for creating multitrack audio outputs from SD 2.
One might expect all this realism to come at something of a cost in terms of computer resources but, in basic use, SD 2. CPU load only really seemed to pick up when I inserted more instances of the various effects plug—ins into the mixer. RAM use is perhaps more of an issue as the ‘full’ version of the default kit requires almost 1GB to load. However, options such as the system ‘cache’ which only loads samples as they are used , 16—bit mode and the ability to limit the velocity layers can all be combined to reduce this quite dramatically while composing, and can then be switched off again when it comes to the final mix.
Alternatively, SD 2. This bouncing is done at the highest quality and, as well as just creating a standard stereo mix, can be used to create audio tracks for each virtual microphone. In essence, this will generate a multitrack audio performance — just as if you had recorded a real drum kit — ready for mixing with the rest of the audio in your project.
Summary It’s difficult not to be impressed by what SD 2. Toontrack have managed to strike a sensible balance between very detailed control of your drum mix and an interface that is relatively easy to use. And as the samples themselves sound excellent, the only limits to your creativity are your programming ability and your host computer — unless you have a reasonably well-endowed one.
The obvious comparison is with FXpansion’s BFD2 and, having used both products, I have to say that choosing a favourite is a very difficult call. In terms of control over your drum mixing, I think SD 2.
The attention to detail in the sampling in both products is also excellent. While there are some differences between the two in terms of the approach taken to certain features, probably the most obvious difference is that BFD2 is supplied with a somewhat larger variety of drum types, while SD 2. Without wishing to sound as though I’m sitting on the fence, if price is not a primary consideration, this really is a case where potential purchasers will need to audition for themselves.
If you feel the level of detail provided by SD 2. All of these provide their own take on the virtual drummer concept, so a quick dip into your Sound On Sound back issues might be a good idea before flexing your plastic on any particular product.
Minimum System Requirements Mac: Mac OS Pros Revised user—interface is a big step forward. The drums sound great. Offers very detailed control over the drum mix.
Cons Can be a little resource hungry but includes plenty of options for reducing the load on the host computer. A slightly wider selection of drums would be great if a little greedy. Summary Toontrack’s Superior Drummer 2. Highly recommended.
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Will the drums and cymbals of their new Superior Drummer 2. Toontrack’s Superior Drummer 2. However, it is probably true to say that some potential users were put off by what was perceived as a somewhat complex user interface. To their credit, Toontrack responded with EZ Drummer, based upon a narrower range of drum sounds than DFH Superior but with a much more user—friendly interface. With SD 2.
I love the program, but its time to upgrade. Im not a drummer, but a guitarist at heart and home producer by passion.
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